Showing posts with label DVD. Show all posts
Showing posts with label DVD. Show all posts

Thursday, April 23, 2009

Caprica or How To Apologize To Your Fan Base


I just watched the DVD released pilot for Battlestar Galactica's prequel series, Caprica. Now, I have to get out of the way fairly quickly that I was disappointed with BSG's finale. It was a good conclusion to some of the story, but it left us wondering about some very serious details, and that felt kind of like a cop-out.

Caprica, however, is very nearly the opposite. It doesn't have a story yet, other than some history we've been told in BSG. It happens 58 years before the cylon attack on the colonies ("The Fall" as it's refered to in the opening of the pilot) and focuses pretty strongly on the creation of the "toaster" style cylons (the ones that look like they're from the original series). Where BSG's finale felt like a grudging conclusion with so much left unanswered, I think Caprica manages to answer more questions in its two hours than it asks (unusual for a pilot). By the end you will know something more about cylons, Capricans, Taurons, the Adamas (I'd consider using that name a spoiler if it weren't all over the previews SciFi has been showing), God, gods, and a great deal about the state of technology in the pre-Fall colonies.

Some things that struck me about the pilot include the increased discussion of both the monotheistic cylon religion and the polytheistic human religion. One character even attends a religious prep school based on Athena. There's some stark cultural lines too. Taurons, it turns out, are even more severly discriminated against than BSG hinted. They're called dirt eaters rather openly, and are widely assumed to be part of organized crime. The Taurons we see appear to have a combination of Eastern European Jewish and mid-20th century Italian culture with just a dash of what feels to me like late-20th century Irish. The Capricans, on the other hand are a very Western European, late 20th century urban culture. This makes for some excellent visual and cultural contrast that I'm sure will play out further in the series. Caprica itself appears to be at the cusp of decadence with the new generation of teens leading the way. This, in turn, gives the writers the opportunity to use the adults as a proxy for the viewer in being introduced to these new forms of decadence that are currently only underground.

Before I get into spoilers, let me sum up by saying that this is the DVD to buy. There are many scenes that simply can't be shown on TV, and will obviously have to be re-shot (probably were on day one) for television, so do see this version if you get the chance.

OK, now let's talk SPOILERS...

The central plot revolves around Zoe's creation of a lifelike avatar that's based on public and private records of her life, ranging from medical tests to news articles. This artificial intelligence appears to be unique, and while it's not said explicitly in the show, I think the suggestion here is akin to the mid-90s concept that AI isn't about programming, but a deeper emergent phenomenon that might require more physics than we currently have worked out to understand. That is, humans in Caprica haven't been able to create an AI, even given their very advanced computer tech. Zoe doesn't really create one either, we're told. She's just made a search engine that does a really great job of faking it. How true that is remains to be seen. Certainly the avatar Zoe seems to think she's quite real.

It's so good, in fact that it and a new fancy processor are the last steps required to create the first cylon. Just one problem: this cylon'd personality is a member of an obscure, fanatical religious sect that believes in one true god... oh and it's a teenage girl. In fact, there's a fascinating parallel to be made between Zoe-as-cylon and Cameron from Terminator: The Sarah Connor Chronicles. Where that machine is a cold and calculating device that emulates a teenage girl on the outside, this cylon is a cold, hard metal Frankenstein's monster on the outside with the soul of a teenage girl. An interesting reversal that makes me wonder how conscious it was.

There are four organizations involved so far. We have the military-industrial complex represented by Graystone; law enforcement represented by Jordan Duram who is looking into the attack that killed Zoe; the religious fanatics are headed up by Zoe's former teacher; and finally, we have organized crime represented by the Adamas and their contacts with the Tauron Halafa. This web of power is likely to become the fulcrum on which the plot of the series pivots. I don't get the sense that the Soldiers of the One (the monotheist extremists) will be around all that long. Certainly, they're no longer an issue in BSG, and while it is now clear that they are where the cylons got monotheism from (remember BSG established that it was the centurions who brought monotheism to the them, but we never knew where the centurions got it), that loop has already been closed by Zoe. We'll see, but I'd like to think the plot will develop beyond BSG's monotheism-driven faction vs. polytheism-driven faction. Ideally I'd like to see a more nuanced story than that, and I think Moore's desire to make Caprica its own show will drive it in that direction.

So that's Caprica. Sadly we now have to wait an indefinitely long time for the actual series, but on the bright side, the pilot was actually good enough to make me anticipate that with some eagerness.

Monday, March 30, 2009

Repost: Watchmen: Tales of the Black Freighter

This review was posted to the old essays.ajs.com, and is being re-posted here because it's still fairly relevant.

I won't review Tales as if it were a stand-alone work. That would be unfair, since it's the B-story inside a larger work. Instead, I'll deal with its merits as an adjunct to the Watchmen film.

First off, the details. I got Freighter on Blu-Ray which was probably overkill. The animation quality isn't really that impressive, and DVD might have been the better choice in order to let its slightly retro look blend a bit more rather than having every pencil line (yep, hand drawn by Korean animators) pop out of my screen. It's animated in a very Heavy Metal style, though it's much smoother and obviously computer-colored. I think it's a good look, and certainly a less realistic style was the right choice to pair with Watchmen's over-sharpened reality.

As with the hacksaw scene from Watchmen, there's a problem with this story that's not really its fault: a man stuck on a desert island that starts talking to a head has been done between when Watchmen became popular and today. It doesn't feel derivative here as I'm sure leaving the hacksaw in the movie would have, but it does take a bit of the impact out of his growing insanity.

The major points of the story hold up well. The colors are as hellish as they need to be. The growing tone of madness and despair is palpable and the voice work is perfect.

That's where the praise and criticism really has to stop though because there are only two options here: either you are a fan of the book enough to have wanted to see this the moment it came out, or you should wait. The extras on this disk make it abundantly clear that there's a special edition in the works that will thread Freighter and Under the Hood back into the movie the way they were in the original book. That's really the one to buy. This is for fanboys like myself.

That brings me to Under the Hood. This is a live-action short that follows some of the back-of-the-book text from Watchmen as a series of interviews. Some of this is directly out of the book and some is not. Some of it has been re-written so that it will work as a single piece. I won't say I like or dislike it, but I will say that where Freighter and Watchmen felt a bit rushed, this felt slow. That might work out well once the whole film is stitched together, but for the stand-alone it just doesn't work out very well. It's very nice to see more of the first wave of heroes who get limited screen time in the film (except for Comedian). The interviews are well constructed. There's also a bit of repetitious use of some sequences (I'm now sick of the Minutemen group photo), which could use more aggressive editing before it's added back.

So to wrap up: these are very faithful adaptations of the book. They capture what the book brought to bear, but without the main story they feel disembodied. I would recommend that anyone who isn't absolutely foaming at the mouth to see them wait for the special edition of the movie.

Notes from the behind the scenes extra:

  • The showed the attack on Hollis being filmed, so I expect that to be either back in Watchmen for the DVD or in the deleted scenes.
  • A nice point about Rorschach's first journal entry being a play on lines from Three Penny Opera (the origin of the Black Freighter story)
  • They do seem to have filmed sequences to bridge between the main story and Freighter with the boy reading the comic at the newsstand.
  • I don't know why, but showing the year that the interview is from in the lower right hand corner bothered me.